Pluralistic: Portraits of Queen West (13 Sept 2023)


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Pluralistic: The Tamakis' "Roaming" (11 Sep 2023)


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The proletarianization of tech workers

If there is hope, it is in the proles.

Margaret Bourke-White’s iconic WPA photo ‘World’s Highest Standard of Living,’ picturing a line of poor Black people standing in a breadline before a billboard proclaiming ‘The World’s Highest Standard of Living: there’s no way like the American Way’ around an image of a white, propserous family enjoying a drive in a large luxury car. The image has been altered so that the lined up workers and the family in the car blink in and out of existence, replaced by the ‘code rain’ effect from the Wachowskis 'Matrix' movies.

The last time I saw the late, great Eric Flint was at the 2018 World Science Fiction Convention in San Jose, California, where we both participated (along with Patrick Nielsen Hayden, Olav Rokne and Eileen Gunn) in an excellent panel about the working class in sf.

Eric was an extraordinary writer and an even more extraordinary character. A Marxist meat-packers’ union organizer whose whole labor career was spent in the brutal trenches of Chicago Machine politics, Eric was also a towering figure in the subgenre of historical military science fiction, a field that is otherwise dominated by right-wingers, including numerous out-and-out kooks who endlessly fantasize about Bronze Age battles being re-fought with jets and mustard gas (for the record: Eric isn’t the only progressive voice in this field; others, like Harry Turtledove, bring a humanizing, leftist view to their work).
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Pluralistic: Saturday linkdump, part the sixth (09 Sept 2023)


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Pluralistic: How plausible sentence generators are changing the bullshit wars (07 Sept 2023)


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Pluralistic: NLRB rules that any union busting triggers automatic union recognition (06 Sept 2023)


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Pluralistic: Podcasting "Enshitternet" (22 August 2023)


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Everything Made By an AI Is In the Public Domain

The US Copyright Office offers creative workers a powerful labor protective.

Norman Rockwell’s ‘self portrait.’ All the Rockwell faces have been replaced with HAL 9000 from Kubrick’s ‘2001: A Space Odyssey.’ His signature has been modified with a series of rotations and extra symbols. He has ten fingers on his one visible hand. Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
Cryteria/CC BY 3.0, modified

Last week, a US federal judge handed America’s creative workers a huge labor win: Judge Beryl A Howell of the DC Circuit Court upheld a US Copyright Office ruling that works created by “AIs” are not eligible for copyright protection.

This is huge.

Some background: under US law — and under a mountain of international treaties, from the Berne Convention to the TRIPS —copyright is automatically granted to creative works of human authorship “at the moment of fixation in some tangible medium.”

That is: as soon as a human being makes something creative, and records it in some medium (a hard-drive, magnetic tape, paper, film, canvas, etc), that creative thing is immediately copyrighted (the duration of that copyright varies, both by territory and by whether the creator was working on their own or for a corporation).

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Pluralistic: Open Circuits (14 August 2023)


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Enshitternet

The old, good internet deserves a new, good internet

A trio of public toilet stalls, each fitted with a pay toilet coin-op lock. The middle lock’s mechanism has been replaced with the menacing, staring red eye of HAL 9000 from Stanley Kubrick’s ‘2001: A Space Odyssey.’ The space around and beneath the stalls is filled with a ‘Code Rain’ effect from the credit sequences of the Wachowksis’ ‘The Matrix.’
Cryteria/CC BY 3.0 (modified)

The children now love luxury; they have bad manners, contempt for authority; they show disrespect for elders and love chatter in place of exercise. Children are now tyrants, not the servants of their households. They no longer rise when elders enter the room. They contradict their parents, chatter before company, gobble up dainties at the table, cross their legs, and tyrannize their teachers. –Socrates

Nostalgia is a toxic impulse. –Judge John Hodgman

I’m an official Old Person (I turned 52 last month). According to the AARP, that means that I am now officially entitled to complain that back in my day, things used to be better.

I am suspicious of this impulse! When I started dialing BBSes in the early 1980s, the Old Hands there told me that it was all downhill after acoustic couplers and that modems were degrading the noosphere into a fallen paradise.

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