Pluralistic: To save the news, ban surveillance ads (31 May 2023)


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Pluralistic: To save the news, shatter ad-tech (25 May 2023)


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Pluralistic: How to save the news from Big Tech (18 May 2023)


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Pluralistic: Ireland's privacy regulator is a gamekeeper-turned-poacher (15 May 2023)


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Pluralistic: How tech does regulatory capture; Part 2 of the Red Team Blues serial (18 Apr 2023)


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Pluralistic: Mass tech worker layoffs and the soft landing (21 Mar 2023)


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Normalize Dark Corners!

There’s Nothing Wrong With Rolling Your Own.

A dark, rainy city alleyway, the walls daubed with graffiti.
Franck Michel/CC BY 2.0

Whenever something terrible happens on the internet — a coordinated harassment campaign on one of the big social media platforms, say, or a criminal conspiracy to traffick in child sex abuse images or promote a scammy cryptocurrency — inevitably we learn that this all took place in one of the net’s “dark corners.”

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Yes, It’s Censorship

Stop picking that nit, it’ll never heal.

A man’s screaming, open mouth. The interior has been filled with a Matrix-style “code waterfall” effect.
conall/CC BY 2.0 (modified)

American political discourse is sticky. It gets all over the place and it’s damned hard to dislodge. People in handcuffs all over the world demand their Miranda rights, and people arguing about social media all over the world are prone to saying “it’s only censorship when the government does it.”

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How to Leave Dying Social Media Platforms

(without ditching your friends)

An imaginary dialog box from a future Facebook; the user is being asked whether they want to continue to follow a friend who has left Facebook and is now on a small, community-managed social media service.

Lazar: Tevye! Tevye, I’m on my way.

Tevye: Where are you going?

Lazar: Chicago, in America.

Tevye: Chicago, America? We are going to New York, America.

Lazar: We’ll be neighbors. My wife, Fruma Sarah, may she rest in peace, has a brother there.

Tevye: That’s nice.

Lazar: I hate him, but a relative is a relative.

Collective Action Inaction in Action

In the opening scenes of the 1971 film adaptation of Fiddler on the Roof, the narrator, Tevye, introduces us to his village of Anatevka, which is a pretty fraught place where people are unhappy and danger is on the horizon. Nearly three hours and (spoiler alert) innumerable indignities and terrors later, Tevye and his neighbors leave the village, all to go their separate ways.

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